I joked that my recent holiday itinerary read like Hitler’s ‘To Do’ list. Poland. Ukraine. Germany. I didn’t intend to spend half my holiday kneeling at sites of tragedy, but when you find yourself in the vicinity of places that echo notoriously through history it seems impossible not to join the procession of modern-day mourners. But as much as I was confronted by sombre monuments of grief, in other places I found myself searching for evidence that anything had happened at all. Eastern Europe, it seemed, is locked in a macabre waltz of remembering and forgetting. Who is remembered and who is forgotten, what events are enshrined in human memory and which have turned to dust, seem to have everything to do with building a story we – the victors, the bystanders, the inheritors – can live with.
The day before our scheduled visit to Auschwitz I said, ‘I’m worried about going to Auschwitz.’
My husband replied, ‘I’m worried about you going to Auschwitz’.
‘Why?’ I asked, expecting a beautiful desire to protect me from the pain of being in such a place.
‘Because you’re going to get angry at people and I’m going to spend the day trying to ensure you don’t get angry at people and then trying to calm you down after you get angry at people.’
‘Ok,’ I said. ‘That’s why I’m worried about going to Auschwitz.’
But compelled by my Jewish family history and the insistence of Polish tourism, I disembarked at Auschwitz. I cutaway here to a scene from the film, The Reader – based on Bernard Schlink’s brilliant meditation on the culpability of every day Germans, the tension between generations, and Germany’s efforts to come to terms with its crimes.
[Auschwitz survivor, speaking forty years after her liberation]
People ask all the time what I learned in the camps. But the camps weren’t therapy. What do you think these places were? Universities? We didn’t go there to learn. One becomes very clear about these things. What are you asking for? Forgiveness…? Or do you just want to feel better yourself? My advice, go to the theatre, if you want catharsis. Please. Go to literature. Don’t go to the camps. Nothing comes out of the camps. Nothing.
My notes from this day, which I thought might form the basis of this piece, were a torrent of misdirected anger. Frustration with tourists who scuttled to take photos of piles of shoes that belonged to people who burnt in Auschwitz’s ovens, with those who took sombre selfies no doubt hash-tagged ‘#neverforget’, with the hungover group of guys in personalised buck’s trip shirts. I wanted to force these people’s faces to the light and scream, ‘you just don’t get it, do you?’
Then I had a drunken conversation in the pub with a guy who listened to my rant and admitted he had taken photos in Auschwitz because he simply didn’t know what else to do. He was so shocked that the robotic motion of raising his camera was his way of engaging with the unimaginable and controlling his grief. As I reflected upon this, days later, I realised my furious, lashing temper was my own reaction to not knowing what to do. I turned my bile upon those around me for there were no Nazis upon which I could unleash my grief.
The next day I went to Kazimierz, Krakow’s Jewish district, the area Jews had been permitted to live from the 1500s until they were interred in an overcrowded, policed ghetto in 1941. Poland’s Jewish culture had been the world’s most significant for many centuries, before being destroyed during the Holocaust. From a pre-war population of 3.5 million, today the entire Polish Jewish community is thought to be around 20 000. Or, as the ever-informed Krakow cab driver told me, ‘there are very, very few Jews who live in Krakow today.’ So I was surprised to turn a corner into the heart of the Jewish district and find Little Israel: lively stalls hawking menorahs and fridge magnets of Rabbis, and cafes trumpeting kosher menus and Krakow’s best gifilte fish – a Passover staple of cold, ground fish balls.
This wasn’t a sign of a local Jewish revival – this was a cynical play to the thousands of foreign Jews who come searching for their families. This was a performance. The creation of a sellable culture that barely exists in Poland’s reality and is still struggling for acceptance in a country with lingering anti-Semitic prejudices[i].
A week later I was lost in Warsaw. Google was trying to send me into a very secure apartment building. The map the concierge had frowned over before marking, tentatively, with a question mark, matched my location exactly.
‘Want ghetto?’ a shabbily-dressed man barked at me. I was startled and didn’t quite know how to respond.
‘Want ghetto!’ he repeated, more insistently. I nodded. He set off quickly. I trotted behind him, I guessed I was meant to. We crossed a few car parks, and turned a few corners. We came through a back gate of the apartment building Google had sent me to. ‘Ghetto’ he said, pointing into a very private looking courtyard. Then he left.
And there it was. A small sign pointing to an ominous and incongruous hunk of wall, enclosed entirely by an apartment building. ‘Remnant of Warsaw Ghetto Wall’. This wall had violently deprived the liberties of nearly half a million Polish Jews. It had starved them of their freedom, dignity, work and living essentials. It was enormous –nearly double the height of the Berlin Wall. And it was so hidden, so forgotten. I couldn’t believe how lost it was.
Nothing comes out of the camps. I worry that museums of death – Auschwitz, Chernobyl, the Killing Fields – with their overwhelming statistics, overshadow the personal and the individual. They create a giant mass of ‘victims’ distinguishable only for their mass suffering.
In Man’s Search for Meaning, Auschwitz survivor Victor E. Frankl writes of the consumption of prisoners as a literal human resource. Stripped of dignity and humanness, prisoners were used until their bodies were no longer useful, stripped of any bodily items (hair, for instance) of enduring material value, disposed of, and replaced. I could not participate however remotely in allowing people to become numbers and resources.
I followed Ilana’s advice and went to literature. In every country I visited, I read the testimonies of survivors – not just Holocaust survivors, but victims of Communist repression too. I wanted to remember the people and not the regime. They had names, not just shoes left in a pile in a concentration camp. I want to remember these people not by their deaths, but by their lives. Where their memory burns is not in the monuments of their deaths built by their murderers but in their stories, if we care to listen.
Image: Michal Gatezewski
Naomi Barnbaum is a Canberra-based public servant, having fled more humid climes in 2009 with a Bachelor of Arts in History and International Relations (First Class Honours) from the University of Queensland. Naomi’s writing has appeared in Feminartsy, and she musters her musings on www.naomibarnbaum.com. Outside of writing, Naomi loves dogs, books, music (both as performer and spectator), and truly terrible television.